ID de tableau:: 1853
Autumn Automne Roy Miles Gallery, London, England La Galerie de Miles de Roy, Londres, L-Angleterre British
1836-1893
Atkinson Grimshaw Gallery
b.c. 1527, Milan,
d.1593, Milan Italian Giuseppe Arcimboldo Galleries
ID de tableau:: 3271
Autumn Automne 1573
Musee du Louvre, Paris 1573 Musée du Louvre, Paris b.c. 1527, Milan,
d.1593, Milan Italian Giuseppe Arcimboldo Galleries
ID de tableau:: 4253
Autumn Automne 1893-97
30" x36"
The Philbrook Museum of Art, Tulsa, Oklahoma 1893-97 30 x36 Le Musée de Philbrook dArt, Tulsa, Oklahoma b1837 UK d1926
Thomas Moran Locations
ID de tableau:: 18893
Autumn l-Automne 1869-70, gouache, private collection 1869-70, la gouache, lacollection privée British Pre-Raphaelite Painter, 1833-1898
ID de tableau:: 10132
Autumn l-Automne 1660-64
Oil on canvas,
118x160 cmLouvre 1660-64 Pétrole sur le canevas, 118x160 cmLouvre French 1594-1665 Nicolas Poussin Galleries
ID de tableau:: 10133
Autumn l-Automne 1660-64
Oil on canvas,
118x160 cmLouvre 1660-64 Pétrole sur le canevas, 118x160 cmLouvre French 1594-1665 Nicolas Poussin Galleries
ID de tableau:: 10700
Autumn l-Automne 1875
Oil on canvas
Thyssen-
Bornemisza
Museum,Madrid
39.4 x 61 cm 1875 Pétrole sur Thyssen de canevas- le Musée de Bornemisza, Madrid 39,4 x 61 cm American Hudson River School Painter, 1826-1900
ID de tableau:: 27726
Autumn l~Automne mk62
c.1860-1862
Oil on canvas
314x104cm
Venturi 6
Paris,Musee de la ville de Paris
Petit Palais
mk62 c.1860-1862 Pétrolesur le canevas 314x104cm Venturi 6 Paris, Musee de la ville de Paris Petit Palais French Post-Impressionist Painter, 1839-1906
b.c. 1527, Milan,
d.1593, Milan Italian Giuseppe Arcimboldo Galleries
ID de tableau:: 30521
Autumn l~Automne mk68
Oil on canvas
30"x25"
Paris
1573
Italy
mk68 Pétrole sur le canevas 30x25 Paris 1573 Italie b.c. 1527, Milan,
d.1593, Milan Italian Giuseppe Arcimboldo Galleries
ID de tableau:: 31800
Autumn l~Automne mk76
Dated 175
Oil on canvas
22 1/2x28 3/4in
mk76 A Daté 175 Pétrole sur le canevas 22 1/2x28 3/4in French Rococo Era Painter, 1703-1770
ID de tableau:: 35152
Autumn l~Automne mk100
1896
Watercolor and pencil on paper
31.5x44cm
mk100 1896 Aquarelle et le crayon sur en papier31.5x44cm Russia.1844-1927
ID de tableau:: 38279
Autumn l~Automne mk132
1786-87
Oil on canvas
275x190cm
Museo del Prado,
Madrid
mk132 1786-87 Huilent surPrado de del de Museo de 275x190cm de canevas, Madrid 1746-1828
ID de tableau:: 39244
Autumn l~Automne mk144
1896
Watercolor graphite stiff on paper
31.5x44cm mk144 1896 graphite d~Aquarelleraide sur en papier 31.5x44cm Russian Painter, 1860-1900
Italian Baroque Era Painter, 1578-1660
Albani's students included Pier Francesco Mola and Andrea Sacchi
ID de tableau:: 62433
Autumn 1616-17 Oil on canvas Galleria Borghese, Rome Francesco Albani, an exponent of the classical ideal, chose a format for his four tondos which, in his own words, "softened" his pictorial expression. The subject matter is taken from Philostratus (Eikones I,6) who describes the games of cupids throughout the four seasons: throwing apples in spring, the fiery furnace of summer, Venus and Adonis taking their farewell in autumn and sleep in winter. Italian Baroque Era Painter, 1578-1660
Albani's students included Pier Francesco Mola and Andrea Sacchi
ID de tableau:: 62839
Autumn 1784 Oil on canvas, 96,5 x 64 cm Wallraf-Richartz Museum, Cologne The painting depicts a grape harvest and the view of Sorrento, the Gulf of Naples and the islands. Artist: HACKERT, Jacob Philipp Title: Autumn Date: 1751-1800 German , painting : landscape German
1737-1807
Jakob Philipp Hackert Gallery
ID de tableau:: 64723
Autumn 1660-64 Oil on canvas, 118 x 160 cm Mus?e du Louvre, Paris This painting is part of a series of four, entitled the Seasons. The pictures are a sequence, and they are hung in this way in the Grande Galerie of the Louvre. Artist:POUSSIN, Nicolas Title: Autumn, 1601-1650, French , painting , landscape French Baroque Era Painter, 1594-1665
(21 August 1882, Mechelene11 July 1916, Amsterdam) was a Belgian fauvist painter and sculptor. Wouters was educated at the Academie Royale des Beaux-Arts in Brussels.
ID de tableau:: 82643
Autumn Date ca. 1913(1913)
Medium Oil on canvas
Dimensions 135 x 140 cm (53.1 x 55.1 in)
cjr (21 August 1882, Mechelene11 July 1916, Amsterdam) was a Belgian fauvist painter and sculptor. Wouters was educated at the Academie Royale des Beaux-Arts in Brussels.
(ca. 1526-1590) was a Flemish Renaissance landscape painter.
Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays.
According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.
ID de tableau:: 89795
Autumn second half of 16th century
Medium oil on panel
cyf (ca. 1526-1590) was a Flemish Renaissance landscape painter.
Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays.
According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.
(October 10, 1858 - February 1, 1924) was a U.S. Post-Impressionist artist who worked in oil, watercolor, and monotype. Technically, he was a member of The Eight, but the delicacy of his compositions and mosaic-like beauty of his designs had little in common with the philosophy of the group.
Prendergast was born in St. John's, a city in Newfoundland, Canada. With the failure of his father's subarctic trading post, the family moved to Boston.
ID de tableau:: 90081
Autumn c. 1918(1918)-1923
Medium oil on canvas
Dimensions 62 x 49 cm (24.4 x 19.3 in)
cjr (October 10, 1858 - February 1, 1924) was a U.S. Post-Impressionist artist who worked in oil, watercolor, and monotype. Technically, he was a member of The Eight, but the delicacy of his compositions and mosaic-like beauty of his designs had little in common with the philosophy of the group.
Prendergast was born in St. John's, a city in Newfoundland, Canada. With the failure of his father's subarctic trading post, the family moved to Boston.
known in English as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist, known best for his distinct style. He produced many paintings, illustrations, advertisements, postcards, and designs.
Alphonse Maria Mucha was born in the town of Ivančice, Moravia (the present Czech Republic). Although his singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, drawing had been his main hobby since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery. During 1879, he relocated to Vienna to work for a major Viennese theatrical design company, while informally augmenting his artistic education. When a fire destroyed his employer's business during 1881 he returned to Moravia, to do freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts.
ID de tableau:: 93817
Autumn 1896(1896)
Medium oil on panel
cjr known in English as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist, known best for his distinct style. He produced many paintings, illustrations, advertisements, postcards, and designs.
Alphonse Maria Mucha was born in the town of Ivančice, Moravia (the present Czech Republic). Although his singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, drawing had been his main hobby since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery. During 1879, he relocated to Vienna to work for a major Viennese theatrical design company, while informally augmenting his artistic education. When a fire destroyed his employer's business during 1881 he returned to Moravia, to do freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts.
(Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor.
Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II.
From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891.
The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.
ID de tableau:: 94887
Autumn 1883(1883)
Medium oil on canvas
cjr (Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor.
Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II.
From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891.
The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.
(ca. 1526-1590) was a Flemish Renaissance landscape painter.
Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays.
According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.
ID de tableau:: 97754
Autumn second half of 16th century
Medium oil on panel
cyf (ca. 1526-1590) was a Flemish Renaissance landscape painter.
Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays.
According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.
Jacob Grimmer (ca. 1526-1590) was a Flemish Renaissance landscape painter.
Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays.
According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.
Autumn
